This is a more complete CV for those who require further details on my activities. Nonetheless, this document covers only recent work and omits much that does not pertain to sound or composition.
This CD documents the concert of 30 April 2011 and includes an edit of "West of the Solar Spectrum". more.
This book and DVD documents a project in which I took part as an invited guest. A recording of the performance is on the sounds page. more
Limited edition release by Stolen Mirror of work resulted from experiments with the No Input Software Environment (NISE).
My track from the Beckett compilation was played on Eldorado, Sveriges Radio, Stockholm. This programme, running since 2005, is hosted by Kjell Alinge every Thursday 22.30-24.00.
My contribution to Harry Moore's collaborative Sound-Snippets project is now online and free to hear. more
Contributed sound recordings to this crowd-sourced sound effects library, compiled by Tim Prebble. more
Composition for voice and verse included on the Out of Silence compilation CD, a homage to Samuel Beckett, released on Modisti Records, Barcelona, Spain.
Created for the Invisible Frequencies Bookworm project, from the one-second sample "News Blow Tone 03".
Created for the Mer-Wer project from original and manipulated sounds by John Kannenberg, Ola Saad, Simon Whetham, He Can Jog, Yara Mekawei, Michael Ruesenberg and Mike Hallenbeck.
Album of electroacoustic works realised in 2009, released for free download on last.fm.
Composed for Tim Prebble's Music Of Sound website.
Piece by escalation 819 included in online music compilation Endless Endless version 5. Audiobulb Records, Sheffield, UK. more
Live performance with Ed Devane, John Daly, Harry Moore and Mick O'Shea at Triskel Arts Centre, Cork. Curated by Tony Langlois and Harry Moore.
Live performance at Triskel Arts Centre, Cork. Curated by The Quiet Club and German label Gruenrekorder. more
Sound installation as part of the group show "Uncanny Sound", curated by Liam Slevin at TACTIC, Old Government Buildings, Sullivan's Quay, Cork. more
Improvisation performed in concert at the first annual ISSTA convocation. more
Composition played at Gorey Arts & Film Festival (GAFF), County Wexford, Ireland. The source material was the ambiance of the deserted village, Achill Island, Co. Mayo. more
Participant in the Softday sound walk and subsequent performance. New sonic marvels will come of this!
This self-directed walk explores the secret domains and hidden sounds of Catherine Street (Limerick, Ireland). It's free for you to download and access at any time. more
Improvisation performed as part of the Just Listening showcase performance, organised by the National Sculpture Factory, Cork. At the Limerick School of Art & Design, Ireland. more
Improvisation with Danny Mc Carthy, Irene Murphy and Mick O'Shea, Crawford Art Gallery, Cork, Ireland. more
Attended opening for premiere of collaborative audio project at Soundfjord Sonic Art Gallery, London. more
Live and environmental sound augmentation, including music DJing. Daghdha Space, Limerick, Ireland. more
Live sound performance at "The Ponderous Counter-Spectacle Of Things Ceasing To Be". Daghdha Space, Limerick, Ireland.
Created for Kim Cascone's "Broken, Bent, Mutilated".
Live performance at Raggle Taggle, Limerick, Ireland, opening for Campbell Kneale from New Zealand. more
A special four-channel excerpt from "wave, particle, falling leaves" played at the Dragonfly Multi-Arts Festival at Ekehagens Forntidsby, Åsarp near Gothenburg, Sweden. more
This is a visual score derived from photos of aerial wires above the streets and alleys of Limerick. Performed as part of the Soundwaves Festival, Sallis Benney Theatre, Brighton England. more
Mystery recording presented as my contribution to World Listening Day. more
Live diffusion of a sound environment for a performance for thirteen dancers, choreographed by Edd Schouten. Daghdha Space, St. John's Church, John's Square, Limerick, Ireland. Duration: two hours. more
This radiophonic piece, developed from "Catherine Street Augmentation", consists of a narrated soundscape recording designed to pose questions of how we frame and apprehend a scene aurally, and how words shape the meaning of what we hear. Broadcast as part of RadiaLx, an international radio art festival based in Lisbon, Portugal. Duration: 25 minutes. more
Piece played at the SoundFjord Open Day on their Sonic Art Jukebox. SoundFjord is a new gallery and research unit dedicated to the Sonic Arts. Located in London, England.
Premiere of site-specific sound art installation, Gold Mine Jewellers, Catherine Street. Part of the Catherine Street Culture Dig (CAT DIG), a project of the SpiritStore collective. more
Premiere of site-specific sound art installation. Commissioned as part of "OPEN/INVITED e v+ a 2010 MATTERS" by curator Elizabeth Hatz (Sweden). Room 7, Limerick School of Art & Design, George's Quay, Limerick. more
Playback of 8.1 soundscape composition at .microsound10years concert, celebrating the anniversary of the .microsound internet list. Fylkingen, Münchenbryggeriet, Stockholm, Sweden.
Premiere of live site-specific electroacoustic performance. SpiritStore Arts Café, Limerick.
Premiere of two-channel electroacoustic piece at The Listening Post, curated by Dr. Kerry Hagan as part of the second annual Tweak Festival. Church Gallery, Limerick School of Art & Design.
Live site-specific electroacoustic performance. SpiritStore Arts Café, Limerick.
Premiere diffusion of 8.1 electroacoustic piece.
Premiere of sound art performance at the conference "Die Gegenwart Von Jean Baudrillard", Mainz, Germany.
Live site-specific electroacoustic performance for Excursions Performance Arts Festival, Limerick, Ireland.
Created soundscape for dramatic reading, performed as part of The South's annual poetry festival Pulse (UK premiere). Sallis Bennet Theatre, Brighton.
Original music for dance performance by Davide Terlingo (premiere). Daghdha Space, Limerick, Ireland. more
Original music for dance performance by Davide Terlingo (premiere). Back Loft, Dublin, Ireland. more
Thirty-minute set with guest vocalist Susannah Clare at Stress!!, De Burgo's, Galway, Ireland. more
Audio design and sound operation for live dance performance choreographed by Katarina Mojzisova. With Roisin Kelly-Byrne, Alanna Mulcahy and Pascal Holper. Supported by a Commissions Award from the Limerick City Council Arts Office. Parkway Shopping Centre, Limerick, Ireland.
Premiere of sound piece for Nokia Mobile, transducers and software sysnthesis. Performed at Soundings 1031 as escalation 746, opening for KK NULL. Daghdha Space, Limerick, Ireland. more
Paper to be published in Organised Sound 17(3).
Paper delivered at the first annual convocation of the Irish Sound, Science and Technology Association.
Paper delivered at the conference Interactivity and the Audio Arts, University of Kent, UK.
Publication of Masters thesis.
Paper on pattern systems and social ecology published in the book Framemakers: Choreography As An Aesthetics Of Change (Daghdha, Limerick, Ireland). Read it on Alan N. Shapiro's website (published April 2011).
Lecturer in Academic Writing course and co-lecturer in Politics of Daily Living (teaching poster presentations), both at the Limerick campus of UCC. A part-time position.
Tutor and proof-reader for doctoral student in electroacoustic composition.
Tutor in electroacoustic composition for undergraduate student.
Lecturer on the Masters in Music Technology course at Digital Media & Arts Research Centre (DMARC). This was a temporary position to cover for a sick leave.
Part-time lecturer in Politics of Daily Living at the Limerick campus of UCC.
Seminar presented by the Centre for Computational Musicology and Computer Music (CCMCM), University of Limerick. more
Co-curator for electroacoustic music concert series (thirteen events). At several venues in Limerick.
Sound designer for multi-disciplinary performance evenings (seven events). Daghdha Space, Limerick and Back Loft, Dublin.
"Grand Canal Sound Walk" short-listed for public arts commission tender.
For research into work for movement, radio transmitter and microphone. (Realised as Ouroboros.)
For three months' research into a site-specific sound installation based on principles of quantum theory, object-oriented systems and cybernetics.
Voting member in professional organisation.
Digital Media and Arts Research Centre, University of Limerick.
Ontario Institute of Audio Recording Technology, London, Ontario, Canada.
The University of Western Ontario, London, Ontario, Canada.